Writings
JOURNAL ARTICLES:
'Non-artificial Non-intelligence: Amazon's Alexa and the Frictions of AI,' co-authored with Tero Karppi, in AI & Society, August 2019.
'False Color/real life: Chromo-politics and Françoise Laruelle's Photo-Fiction,' in NECSUS: European Journal of Media Studies, edited by by Ilona Hongisto, Toni Pape, and Alanna Thain, Amsterdam University Press, June 2017.
‘Processing/Lampreys: Towards a Parasite Aesthetics,’ in Ctrl-Z: New Media Philosophy Journal. Issue on New Media Animals, edited by Jane Mummery. October 2016.
'Killer Robots as Cultural Technique,’ co-authored with Tero Karppi and Marc Bohlen, in International Journal of Cultural Studies, October 2016.
‘Biomorphological Realism: Thinking with Biological Entities in Film and Digital Media,’ in TRACE: Journal of Writing, Media, and Ecology, issue ‘Digital Animals: Inhabiting the Intersections of Nature, Culture, and Technology’. University of Florida, April, 2017.
BOOK CHAPTERS:
‘Meme Dankness: Floating Glittery trash for an Economic Heresy,’ chapter in Post-Memes, eds. Alfie Bown and Daniel Bristow, Punctum Press, 2019.
'Digital Unworlds: The Bielefeld Conspiracy,' chapter in Digital Existence: Ontology, Ethics and Transcendence in Digital Culture, edited by Amanda Lagerkvist, July 2018.
INVITED ARTIST ESSAYS:
'Pinthw: Philosophy-in-the-Wild,' co-authored with Bogna Konior, in Madame Wang: Journal for Geo-Distributed Collaboration, Special Edition for Taipei Biennial. December 2016.
‘Amphibian Demons, Not Yet for 3-D Printer,’ in Infinite Mile: Journal of Arts and Culture. Issue 26. March 2016.
‘Hauntification, Aesthetics and Gentrified Toys in a Glass Globe (Or Making Glitch Art Out of Derrida Instead)’ in Infinite Mile: Journal of Arts and Culture, Special series on Gentrification and Art with University of Michigan Penny Stamps School of Art & Design. Issue 18. July 2015.
Some other things on ACADEMIA DOT EDU
'Non-artificial Non-intelligence: Amazon's Alexa and the Frictions of AI,' co-authored with Tero Karppi, in AI & Society, August 2019.
'False Color/real life: Chromo-politics and Françoise Laruelle's Photo-Fiction,' in NECSUS: European Journal of Media Studies, edited by by Ilona Hongisto, Toni Pape, and Alanna Thain, Amsterdam University Press, June 2017.
‘Processing/Lampreys: Towards a Parasite Aesthetics,’ in Ctrl-Z: New Media Philosophy Journal. Issue on New Media Animals, edited by Jane Mummery. October 2016.
'Killer Robots as Cultural Technique,’ co-authored with Tero Karppi and Marc Bohlen, in International Journal of Cultural Studies, October 2016.
‘Biomorphological Realism: Thinking with Biological Entities in Film and Digital Media,’ in TRACE: Journal of Writing, Media, and Ecology, issue ‘Digital Animals: Inhabiting the Intersections of Nature, Culture, and Technology’. University of Florida, April, 2017.
BOOK CHAPTERS:
‘Meme Dankness: Floating Glittery trash for an Economic Heresy,’ chapter in Post-Memes, eds. Alfie Bown and Daniel Bristow, Punctum Press, 2019.
'Digital Unworlds: The Bielefeld Conspiracy,' chapter in Digital Existence: Ontology, Ethics and Transcendence in Digital Culture, edited by Amanda Lagerkvist, July 2018.
INVITED ARTIST ESSAYS:
'Pinthw: Philosophy-in-the-Wild,' co-authored with Bogna Konior, in Madame Wang: Journal for Geo-Distributed Collaboration, Special Edition for Taipei Biennial. December 2016.
‘Amphibian Demons, Not Yet for 3-D Printer,’ in Infinite Mile: Journal of Arts and Culture. Issue 26. March 2016.
‘Hauntification, Aesthetics and Gentrified Toys in a Glass Globe (Or Making Glitch Art Out of Derrida Instead)’ in Infinite Mile: Journal of Arts and Culture, Special series on Gentrification and Art with University of Michigan Penny Stamps School of Art & Design. Issue 18. July 2015.
Some other things on ACADEMIA DOT EDU