ABOUT

YVETTE GRANATA

SELECTED WORK

HAPPENINGS

TEXTS

CONTACT

Academic/Peer-Reviewed:

 

 

'Non-artificial Non-intelligence: Amazon's Alexa and the Frictions of AI', co-authored with Tero Karppi, in AI & Society, May 2019.

 

 

'Digital Unworlds: The Bielefeld Conspiracy' , Book Chapter in Digital Existence, edited by Amanda Lagerkvist, July 2018.

 

 

'False Color/real life: Chromo-politics and Françoise Laruelle's Photo-Fiction', in NECSUS: European Journal of Media Studies, issue 'True', edited by by Ilona Hongisto, Toni Pape, and Alanna Thain, Amsterdam University Press, June 2017.

 

‘Biomorphological Realism: Thinking with Biological Entities in Film and Digital Media’, in TRACE: Journal of Writing, Media, and Ecology, issue ‘Digital Animals: Inhabiting the Intersections of Nature, Culture, and Technology’. University of Florida, April, 2017.

 

 

‘Processing/Lampreys: Towards a Parasite Aesthetics’, in Ctrl-Z: New Media Philosophy Journal. Issue on New Media Animals, edited by Jane Mummery. October 2016.

 

 

'Killer Robots as Cultural Technique’, co-authored with Tero Karppi and Marc Bohlen, in International Journal of Cultural Studies, October 2016.

 

 

Artist/Invited Publications:

 

 

'Pinthw: Philosophy-in-the-Wild'co-authored with Bogna Konior, in Madame Wang: Journal for Geo-Distributed Collaboration, Special Edition for Taipei Biennial. December 2016.

 

 

‘Amphibian Demons, Not Yet for 3-D Printer’ in Infinite Mile: Journal of Arts and Culture. Issue 26. March 2016.

 

 

‘Hauntification, Aesthetics and Gentrified Toys in a Glass Globe (Or Making Glitch Art Out of Derrida Instead)’ in  Infinite Mile: Journal of Arts and Culture, Special series on Gentrification and Art with University of Michigan Penny Stamps School of Art & Design. Issue 18. July 2015.

 

 

 

 

 

 

 

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