Noophone is part of an ongoing series of 360 performance media artworks that explore the notion of environmental avatarism and augmented performance. 3-D scans of performances were implanted in the walls of the former grain silos in Buffalo, NY as augmented reality frescoes, viewable via mobile phones.
The work was part of 'Noo-Phone in the Black Space: Or How to Avoid Roaming Charges' a joint show with San Jose based artist and performer Andrew Blanton. Throughout the show, we ask if an augmented reality can be used as the creation of new forms of collective space or if it produces new forms of spatio-temporal apartheids.
How does one perform an image of digital concrete? Unlike the frescos of Cathedrals, I use my body parts as landscape materials and as gargoyley ghosts that hide and possess the walls of the silos from the inside out. My body is scanned as a performance, a 360 image performance. The scans are an artifact of envisioning myself as a set of motions intentionally performed for augmented frescos on the silo walls and as a part of the concrete materiality of the silos.